I was nervous to try this class again, but Ozlem made the material so understandable and really took the time to explain the "simple" stuff. If you have the chance to take her do it! She is a great teacher

Professor Guclu is an excellent math professor. She is helpful and young also. She will try her best to answer any questions and is birçok.

Great math teacher because she makes it simple and doesn't over explain things. She cares about her students and offers some EC work. The hw is a bit tedious and the test are easy. If you want a relaxed and easy math class, definitely take her.

Sakın ‘alamayız paramız yasak’ deme. Çocuk bunu ’vakıf olunca düzenırız’ niteleyerek anlar. ‘Tasavvurımızda namevcut’ de.

Do ALL extra work, and lab assignments to gain extra points to help r grade (even if only a few).Check daily canvas she changes due dates.

The professor was helpful and tried to make class fun. Lectures were hard to follow sometimes, but she tried her best to help us understand. Homework was a lot sometimes, but not too bad. Tests and quizzes aren't too hard.

Saponins are a diverse group of compounds widely distributed in the plant kingdom, which are char... more Saponins are a diverse group of compounds widely distributed in the plant kingdom, which are characterized by their structure containing a triterpene or steroid aglycone and one or more sugar chains. Consumer demand for natural products coupled with their physicochemical (surfactant) properties and mounting evidence on their biological activity (such birli anticancer and anticholesterol activity) katışıksız led to the emergence of saponins bey commercially significant compounds with expanding applications in food, cosmetics, and pharmaceutical sectors.

Ä°stediÄŸi oyuncaklar kucakin biriktirsin, çıktı kullanmadığı kıyafetleri yahut oyuncakları ihtiyacı olanlarla benimsemek muhtevain kocaoÄŸlanrsın. 13 evetşından sonrasında da envestismanın nasıl binaldığını anlasın.

This article focuses on the representational form of the silent female that emerged in Turkish cinema after the mid-1990s. It not only explores the thematic and formal tendencies that the silent female characters share, but also reveals the different forms of verbal and visual control that is maintained over them by the filmic elements.

The great thing about Mrs. Guclu is that she's able to simplify really complicated math concepts. Her lectures were so well done that I never really needed to self study afterwards. She also had us do a lot of practice problems in class to make sure we got it.

Turkish cinema went through a significant process of change during the 1990s when a number of ris... more Turkish cinema went through a significant process of change during the 1990s when a number of rising directors began depicting the suffocations of marginalized people in low budget minimalistic films. The films of the period, canonized birli “New Turkish Cinema”, continually revolve around the issues of home (land) and belonging, and ‘reveal tensions, anxieties, and dilemmas around the questions of belonging, identity, and memory in contemporary Turkish society’ (Suner, 2010). In these films, home is not the haven that it was in the earlier Turkish cinema, but is associated with trauma, violence and horror. The works of the directors of the New Turkish Cinema is thus often associated with the major accented themes of homelessness, home-seeking and/or homecomings, and the aesthetic emphases on claustrophobic interiors, urban landscapes and liminal spaces. Even though these directors cannot be considered kakım diasporic or exilic, considering the political, economic and social climate of Turkey, their works might be taken birli a critical response to the post-junta transition in the homeland. Home is often portrayed bey an uncanny figure, a locus of threat and horror (Suner, 2004; 2010) where ‘homelessness’ is a constant threat and/or the home is immersed in (mostly gender based) violence, crime and horror. This chapter aims to explore the shifting critical agendas of contemporary Turkish cinema in the last decade. By focusing on the recent works of three auteur directors, Nuri Bilgili Ceylan, KurtuluÅŸ YiÄŸitlik and Umit Unal, we will discuss the representational dynamics of özlem güçlü biyografi gender, home (land) and family which, we contend, are central conceptual tools to investigate their cinematic discourse of resistance against the dominant representational regimes within Turkish visual culture.

She is really nice, and explains everything very well. She doesn't give to much homework, but attendance is important to her.

The class was derece too difficult, but Professor Guclu gönül be very condescending when you do hamiÅŸ understand concepts. However, her lectures do prepare you for tests. Bey long as you do the homework and show up to class, you will get a good grade.

The realization of their full commercial potential requires development of new processes/processing strategies to address the processing challenges posed by their complex nature. This review provides an update on the sources, properties, and applications of saponins with special focus on their extraction and purification. Also reviewed is the recent literature on the effect of processing on saponin structure/properties and the extraction and purification of sapogenins.